Pod Xt Live Patches Free Download
Pod Xt Live Patches Free Download
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Synth Chord Samples, Deep House Synth Stabs, DnB Key Sounds, Piano Samples at Loopmasters.com. New Album “God Of The Impossible” AVAILABLE NOW - Lincoln Brewster is a Christian musician and Senior Pastor at Bayside Church in Sacramento, CA. THE PATCH FILE LIBRARY DATABASE. Here you'll find files that you can download up to your POD X3, PODxt, POD 2.0, Vetta, M13, Variax, Flextone, HD147, etc. You can load them via MIDI/USB using the Gearbox, Line 6 Edit, GuitarPort Editor, VBoard, Patchmanager, XT Organizer, SoundDiver or Patchwizard software, or Workbench for the Variax.

COPYRIGHT DISCLAIMERAll company and product names mentioned herein are trademarks of their respective owners. All product names, band/artist names, song names mentioned herein are trademarks of their respective owners, which are in no way associated or affiliated with Glenn DeLaune and are only used for identification and description of items.

© Copyright 2013 - 2021 - Glenn Delaune - ALL RIGHTS RESERVEDSound Imprint™ is a Trademark of GLDP, INC.

X3 Clean ChorusX3 HendrixX3 MetallicaX3 Plexi RythmX3 Plexi LeadX3 Zen Master LeadX3 Robin TrowerX3 Triumph

XT AC-DCXT RushXT Guns & RosesXT Stevie Ray VaughnXT Jimmy Page CleanXT Jimmy Page RythmXT Motley CrueXT Contry LeadXT Joe Satriani

You can select the Patch Bundle you would like and click the “Buy Now” button or you can use the “ADD TO CART” Function. When you are ready to check out you will be taken directly to my 100% SECURE PayPal purchase page. After your purchase the files will Automatically download to your computer. Depending on how you have your browser configured, you will either see a download screen or it will automatically download into a folder on your computer named “Downloads”. Don’t worry though, If for some reason your browser screws up just shoot me an email and I’ll quickly send you the items you purchased. I monitor ALL Transaction very closely and Nothing gets by me. Don’t worry you WILL get what you purchased.Please Note* if you use your phone or tablet to purchase you will need to send me an email and I will quickly send you the items you purchased.

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My entire X3 bundle has some different patches not shown here. There are 128 patches in my bundle. These are the same ones I have used in my videos!

Click here to viewFull Patch List

Audio Samples

STANDARD PATCHES COLLECTION

My entire X3 bundle has some different patches not shown here. There are 128 patches in my bundle. These are the same ones I have used in my videos!

Click here to viewFull Patch List

Audio Samples

Line6’s original POD unit has been wildly successful since its inception just a few short years ago and with good reason. Any guitarist can imagine the appeal of having a musical tool that can call up a variety of guitar tones instantly at the push of a few buttons and a twist of a few knobs. In fact, having this versatility in a small package made the original POD a mainstay for studio musicians and recording studios.

While a new loyal group of Line6 users embraced this digital modeling technology used in the original POD, some musicians were quick to judge negatively against the POD and modeling technology in general – even if they never had tried it in the first place! It is interesting that while we as musicians like to think of ourselves as individuals, we can also sometimes be 'set in our ways' (how many of us play Strats, Pauls, and PRS’ or Marshall and Mesa Boogie amps in part because so-and-so does?) – and no debate has been stirred up with so much passion over recent years than the topic of 'modeling vs. the real thing.' It’s easy to see modeling-critics ripping apart these solutions, not only because they promise a plethora of the greatest tones according to how they are marketed, but also because they are simply new and perhaps threaten the status quo of how music is to be made and heard.
So where do I stand in this debate? I’m in an interesting space actually as I’m a hard-core lover of vintage tube amplifiers, but I’ll admit that they’re not without their faults and issues, especially if looking to buy one today. I also enjoy working on these amps so some of the love and enjoyment also comes from a different perspective – just like a person may enjoy his classic automobile – admittedly if I didn’t have any of the technical skill to maintain my amps, I’d admit that I’d likely be overly worried about issues of problems arising.
Additionally, while I enjoy my 'old amps', having a tool that promises the great tones of many types and eras of amplifiers in one package is very exciting. Much of my time in the ‘80s was spent experimenting with virtually every processor, gizmo, pickup, amp and guitar that I could – all in the quest of tone. So having gone through all those years of trial and error and frustration -would I like to have a bunch of great amp and effect tones all in one small kidney-bean shaped unit? Sure thing! So let’s go explore the PODxt and see how it went…

Enter the PODxt

The Line6 PODxt is a significant update to the original POD in terms of features. Not only have a wealth of new models been added, but many of the classic effects boxes – from fuzzes, to delays, to Leslie speaker simulations – have all been included. On top of it all, even the models that have been transferred over from the original POD have been redone and updated.

The PODxt not only adds a large supply of models based on speakers and cabinets that can be mated with any of the amplifiers chosen, but it also models the final mixed sounds of various microphones that are placed on and/or off-axis in respect to the speaker. What the PODxt is designed to do is provide the complete spectrum of tone suitable for recording from where the guitar first enters the amplifier (or before it if you choose to employ the stomp box models) to the final recording mix.

The PODxt’s 'AIR' feature has also been updated and has more specific settings for the final environment where the POD is used. Whether you’re looking for the optimum headphone output tone, or want to run it in front of a combo amplifier or direct into a PA, the PODxt allows you to make this change. It is for this reason why anyone seriously interested in the PODxt should really dive into the user guide so they don’t miss these details. Not only is it truly comprehensive, well-written, and indeed fun to read, if you miss some of the critical info about areas such as the AIR function and run the POD set in the wrong final application (e.g. running it in front of combo amplifier when in direct mode), you’ll likely be very disappointed by the final sound produced.

Last, but certainly not least, one of the biggest changes to come to the PODxt is the addition of a graphical interface that shows all the various amp and effects settings on screen. Unlike the older POD, the PODxt shows you instantly where you last left all of your dialed-in settings on a given model. This may not seem like such a big deal, but it is a huge benefit to the user to visually represent the bass, treble, drive and other settings on screen.

Amp Models and Presets

I was already well-versed in the use of Line6’s POD 2.0 and so I was looking forward to seeing how improved the PODxt would be. New models from Matchless, Vox, and Hiwatt, as well as some new variations on Marshalls are all here. The new models come courtesy of the digital signal processing technology found within Line6’s flagship Vetta modeling amplifier.

Some of the most notable of amplifier models featured within include the Hiwatt DR103, the famous amplifier used by Pete Townshend of The Who, as well as the 'plexi' Marshall Super Lead but running on a Variac, the idea based on increasing the voltage of the amplifier (more on this in a moment) to change the tone and overall inspired by Edward Van Halen’s famously dubbed 'brown sound' tone.

New to t

Pod Xt Live Patches Free